Generally speaking, the focus on original music in films appears to be dwindling, and it seems reasonable to attribute this lack of memorability to the lack of emphasis on a proper score. Collaborate with your cast and crew to generate ideas for incorporating your music even further into the DNA of the scene.Īs more and more movies are released each year, I have come to agree with many reviews from critics and audiences alike, who complain that many modern movies just “don’t feel memorable” or as special as the previous films mentioned. You can even plan out visual actions on set, based on musical cues from the song, such as a knife jab at a trumpet flare, a car door slamming or gun cocking at a brief pause, etc. Play the track out loud, or through headphones on set, immersing yourself in the vibe of it. Once you hone in on your favorite track for a particular scene, write the song’s title down on the script or storyboard, then shoot the scene with that track specifically in mind.
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Then, dive in to your stock music library, and download your favorite tracks that might fit those scenes, and lend to creating that feeling. Instead of shooting first, then finding audio to pair your footage with later, take a hard look at your pre-production storyboard, or even just the script, focusing on what type of feeling you’d like to achieve with each scene. If you’re limited to a stock library of music, here’s another helpful tip to hopefully cut down on some of the potential frustration during your music selection process. Sometimes, even silence or just ambient sounds of the scene carry more weight than music could in that moment, and this is something we need to always be mindful of during the production process. You will ultimately have to be the one to make the call on whether or not your scene would be better off with music. However, when it comes to music, it’s not always that clear-cut. But the tricky question you need to ask yourself as you’re making your project is this: would your scene be more or less effective with music? In the film industry, we have access to color palettes, formats, protocols, guidelines, and best practices for just about everything. It could even be effective in complete silence, depending on the context of the scene. The aural emphasis could be entirely on foley - the sound effects of clips being loaded into weapons, footsteps approaching the building, thumping heartbeats, and heavy breathing, as the hinges of the bank’s door slam open, just before a shot rings out. Could a scene like that bank heist example be effective without music? Sure.